Serenades (Brahms)
The two Serenades, Op. 11 and 16, represented two of the earliest efforts by Johannes Brahms to write orchestral music. They both date from the 1850s when Brahms was residing in Detmold.[1]
Brahms had a goal of reaching Beethoven's level in writing symphonies, and worked long and hard on his First Symphony, completing it only in 1876. As preliminary steps in composing for orchestra, he chose early on to write some lighter orchestral pieces, these Serenades.
Contents
Serenade No. 1 in D, Op. 11
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The first serenade was completed in 1858. At that time, Brahms was also working on his First Piano Concerto. Originally scored for wind and string octet and then expanded into a longer work for chamber nonet, the serenade was later adapted for orchestra;[2][3] Brahms completed the final version for large orchestra in December 1859.[4] In the orchestration of the Concerto Brahms had solicited and got a great deal of advice from his good friend Joseph Joachim. For this Serenade Joachim also gave advice, although to a lesser extent.[5] The first performance of the Serenade, in Hamburg on 3 March 1860, "did not go very well" in Brahms's opinion,[6] but evidently the unusually large audience of 1,200 did not notice any mistake during the performance. At the end, applause "persisted until I came out and down in front." After every piece in the concert "the audience was shouting."[6] This was a vastly better reception than the Piano Concerto had in either of its first two performances. But at its third performance, 24 March, also in Hamburg, it had been a success, perhaps not to the same degree as the Serenade.
The Serenade consists of six movements and lasts around forty-five minutes.
- Allegro molto (D major)
- Scherzo. Allegro non troppo (D minor) – Trio. Poco più moto (B-flat major)
- Adagio non troppo (B-flat major)
- Menuetto I (G major) – Menuetto II (G minor)
- Scherzo. Allegro (D major) – Trio
- Rondo. Allegro (D major)
Serenade No. 2 in A, Op. 16
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The second serenade was written in 1859 and dedicated to Clara Schumann.[citation needed] The first public performance was in Hamburg on 10 February 1860. It was revised in 1875.[7] It is scored for a chamber orchestra, including double woodwinds but omitting violins, trumpets, trombones, and percussion.[7] The five movements take approximately thirty minutes to perform.[8]
- Allegro moderato (A major)
- Scherzo. Vivace (C major) – Trio (F major)
- Adagio non troppo (A minor, ends in A major with a Picardy third)
- Quasi menuetto (D major) – Trio (F-sharp minor)
- Rondo. Allegro (A major)
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Notes
- ↑ Geiringer, p. 55
- ↑ Geiringer, pp. 249–250
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Avins, Styra, Ed. (1997), JOHANNES BRAHMS: Life and Letters, Oxford University Press, ISBN 0-19-816234-0, p. 193, footnote
- ↑ Avins, Ed., p. 180
- ↑ 6.0 6.1 Avins, Ed., p. 193
- ↑ 7.0 7.1 Geiringer, p. 250
- ↑ Lua error in package.lua at line 80: module 'strict' not found. The Haitink LSO recording
References
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External links
- Serenade No. 1 in D, Op. 11: Scores at the International Music Score Library Project
- Serenade No. 2 in A, Op. 16: Scores at the International Music Score Library Project
| Orchestral works | |
|---|---|
| Concertante | |
| Vocal works with orchestra |
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| Chamber music |
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| Piano works |
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| Other compositions | |
| Collaborations | |
| Named for Brahms | |
| Related articles | |
