Solomon Mikhoels

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Itzik Feffer, Albert Einstein and Solomon Mikhoels (right) in the United States in 1943.

Solomon (Shloyme) Mikhoels (16 March [O.S. 4 March] 1890 – 13 January 1948) was a Soviet Jewish actor and the artistic director of the Moscow State Jewish Theater. Mikhoels served as the chairman of the Jewish Anti-Fascist Committee during the Second World War. However, as Joseph Stalin pursued an increasingly anti-Semitic line after the War, Mikhoels' position as a leader of the Jewish community led to increasing persecution from the Soviet state. In 1948, Mikhoels was murdered on the orders of Stalin and his body was run over to create the impression of a traffic accident.[1]


Born Shloyme Vovsi in Dvinsk (now Daugavpils, Latvia), Mikhoels studied law in Saint Petersburg, but left school in 1918 to join Alexis Granowsky's Jewish Theater Workshop, which was attempting to create a national Jewish theater in Russia based on the Yiddish language. Two years later, in 1920, the workshop moved to Moscow, where it established the Moscow State Jewish Theater. This was in keeping with Vladimir Lenin's policy on nationalities, which encouraged them to pursue and develop their own cultures under the aegis of the Soviet state.

Theatrical career

Mikhoels, who showed outstanding talent, was the company's leading actor and, as of 1928, its director. He played in several memorable roles, including Tevye in an adaptation of Sholom Aleichem's comic short stories about Tevye the Milkman (which were adapted for an American audience as Fiddler on the Roof) as well as in many original works, such as Bar Kochba, and translations. Perhaps his most noted role was as King Lear in a Yiddish translation of the play by William Shakespeare. These plays were ostensibly supportive of the Soviet state; however, historian Jeffrey Veidlinger has argued that closer readings suggest they actually contained veiled critiques of Stalin's regime and assertions of Jewish national identity. It is now believed that the Ukrainian director Les Kurbas contributed to the original King Lear production after he was ousted from his Berezil theater in 1934. He seems to have had a lasting influence on Mikhoel's directing style.

Anti-fascist activities and assassination

By the mid-1930s, Mikhoels' career was threatened because of his association with other leading intelligentsia, who were victims of Stalin's purges. Mikhoels actively supported Stalin against Adolf Hitler, and in 1942, he was made chairman of the Jewish Anti-Fascist Committee. In this capacity, he travelled around the world, meeting with Jewish communities to encourage them to support the Soviet Union in its war against Nazi Germany.

While this was useful to Stalin during World War II, after the war, Stalin opposed contacts between Soviet Jews and Jewish communities in non-Communist countries, which he deemed as "bourgeoisie". The Jewish State Theater was closed and the members of the Jewish Anti-Fascist Committee were arrested – all except for two were eventually executed in the purges shortly before Stalin's death.

Mikhoels was the most visible of the intellectual Jewish leadership, and a show trial would have cast aspersions on Stalin's rule. Thus in January 1948, he was assassinated on Stalin's personal orders in Minsk.[2] His death was disguised as a hit-and-run car accident. Mikhoels was taken to an MGB dacha and killed, along with his non-Jewish colleague Golubov-Potapov, under supervision of Stalin's Deputy Minister of State Security Sergei Ogoltsov. Their bodies were then dumped on a road-side in Minsk[3][4] and run over by a truck. Mikhoels received a state funeral and was buried at the New Donskoy Cemetery in Moscow.


A postal card issued to commemorate the 125th birth anniversary of Solomon Mikhoels. Post of Russia, 2015.

Mikhoels was married to Anastasia Pototskaya, a Russian of Polish descent. He had two daughters from his first marriage to Sara Kantor, Nina and Natalya Vovsi.

Mikhoels' cousin Miron Vovsi was Stalin's personal physician. He was arrested during the Doctors' plot affair but released after Stalin's death in 1953, as was Mikhoels' son-in-law, the Polish-born composer Mieczysław Weinberg. In 1983, Mikhoel's daughter, Natalia Vovsi-Mikoels, wrote a biography of her father: My Father Shlomo Mikhoels: The Life and Death of a Jewish Actor.[1]


A large international cultural center in Moscow is named after him.[1]


  1. 1.0 1.1 1.2 Monument of truth – Haaretz – Israel News[dead link]
  2. Joshua Rubenstein (August 25, 1997) The Night of the Murdered Poets. The New Republic
  3. Robert Conquest. Reflections on a Ravaged Century, Norton, (2000) ISBN 0-393-04818-7, page 101
  4. И вечный плач Иеремии. Retrieved on 2015-06-27.

External links