The Act of Killing

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The Act of Killing
File:The Act of Killing (2012 film).jpg
Theatrical release poster
Directed by <templatestyles src="Plainlist/styles.css"/>
Produced by <templatestyles src="Plainlist/styles.css"/>
Music by Elin Øyen Vister
Cinematography <templatestyles src="Plainlist/styles.css"/>
  • Anonymous
  • Carlos Arango de Montis
  • Lars Skree
Edited by <templatestyles src="Plainlist/styles.css"/>
  • Niels Pagh Andersen
  • Janus Billeskov Jansen
  • Mariko Montpetit
  • Charlotte Munch Bengtsen
  • Ariadna Fatjó-Vilas Mestre
Production
company
<templatestyles src="Plainlist/styles.css"/>
  • Final Cut for Real
  • DK
Distributed by <templatestyles src="Plainlist/styles.css"/>
Release dates
 <templatestyles src="Plainlist/styles.css"/>
  • 31 August 2012 (2012-08-31) (Telluride)
  • 1 November 2012 (2012-11-01) (Indonesia)
  • 8 November 2012 (2012-11-08) (Denmark)
  • 28 June 2013 (2013-06-28) (UK)
  • 6 September 2013 (2013-09-06) (Norway)
Running time
 122 minutes (US theatrical release)[1]
159 minutes (Director's cut)
Country <templatestyles src="Plainlist/styles.css"/>
  • Norway
  • Denmark
  • United Kingdom
Language Indonesian
Budget $1 million[2]
Box office $722,714[3]

The Act of Killing (Indonesian: Jagal, meaning "Butcher") is a 2012 documentary film about the individuals who participated in the Indonesian killings of 1965–66, directed by Joshua Oppenheimer and co-directed by Christine Cynn and an anonymous Indonesian.[4] It is a Danish-British-Norwegian co-production, presented by Final Cut for Real in Denmark and produced by Signe Byrge Sørensen. The executive producers were Werner Herzog, Errol Morris, Joram ten Brink, and Andre Singer. It is a Docwest project of the University of Westminster. It won the 2013 European Film Award for Best Documentary, the Asia Pacific Screen Award, and was nominated for the Academy Award for Best Documentary Feature at the 86th Academy Awards.[5]

The Act of Killing won best documentary at the 67th BAFTA awards. In accepting the award, Oppenheimer asserted that the United States and the United Kingdom have "collective responsibility" for "participating in and ignoring" the crimes,[6] which was omitted from the video BAFTA posted online.[7] After a screening for US Congress members, Oppenheimer demanded that the US acknowledge its role in the killings.[8]

The Indonesian government has responded negatively to the film. Its presidential spokesman on foreign affairs, Teuku Faizasyah, claimed that the film is misleading with respect to its portrayal of Indonesia.[9]

A companion piece to the film, The Look of Silence, was released in 2014.[10]

Synopsis

The film focuses on the perpetrators of the Indonesian killings of 1965–66 in the present day; ostensibly towards the communist community where almost a million people were killed. When Suharto overthrew Sukarno, the President of Indonesia, following the failed coup of the 30 September Movement in 1965, the gangsters Anwar Congo and Adi Zulkadry in Medan (North Sumatra) were promoted from selling black market movie theatre tickets to leading the most powerful death squad in North Sumatra. They also extorted money from ethnic Chinese as the price for keeping their lives. Anwar is said to have personally killed 1,000 people.

Today, Anwar is revered as the right wing of a paramilitary organization Pemuda Pancasila that grew out of the death squads. The organization is so powerful that its leaders include government ministers who are openly involved in corruption, election rigging and clearing people from their land for developers.

Invited by Oppenheimer, Anwar recounts his experiences killing for the cameras, and makes scenes depicting their memories and feelings about the killings. The scenes are produced in the style of their favorite films: gangster, western, and musical. Various aspects of Anwar and his friends' filmmaking process are shown, but as they begin to dramatize Anwar's own experiences, the fiction scenes begin to take over the film's form. Oppenheimer has called the result "a documentary of the imagination".

Some of Anwar's friends state that the killings were wrong, while others worry about the consequences of the story on their public image.

After Anwar plays a victim, he cannot continue. Oppenheimer, from behind the camera, states that it was worse for the victims because they knew they were going to be killed, whereas Anwar was only acting. Anwar then expresses doubts over whether or not he has sinned, tearfully saying he does not want to think about it. He revisits the rooftop where he claims many of his killings took place, and retches repeatedly. The dancers from the film's theatrical poster are seen before the credits begin to roll.

Production

In 2001, while conducting interviews for their 2003 film The Globalisation Tapes, Oppenheimer and Cynn began delving into the Indonesian killings of 1965–66. After moving up the ranks of those involved with the killings, Oppenheimer's interviews led him to meet Anwar Congo in 2005.[11] The film was shot mostly in Medan, North Sumatra, Indonesia, between 2005 and 2011. After seeing an early preview of The Act of Killing, filmmakers Werner Herzog and Errol Morris signed on as executive producers.[12]

The name "Anonymous" appears 49 times under 27 different crew positions in the credits. These crew members still fear revenge from the death-squad killers.

Reception

Critical response

The Act of Killing received wide acclaim from critics. The review aggregator website Rotten Tomatoes reported a 95% approval rating with an average rating of 8.7/10 based on 132 reviews. The website's consensus reads, "Raw, terrifying, and painfully difficult to watch, The Act of Killing offers a haunting testament to the edifying, confrontational power of documentary cinema."[13] On Metacritic, the film holds an average score of 89/100, based on 30 reviews.[14]

Nick Schager of The Village Voice called it a "masterpiece."[15] Pulitzer Prize-winning journalist Chris Hedges called the film "an important exploration of the complex psychology of mass murderers" and wrote that "it is not the demonized, easily digestible caricature of a mass murderer that most disturbs us. It is the human being."[16]

In some quarters Oppenheimer has been accused of treating his subjects in bad faith.[17] As far as their goal at the beginning was to glorify mass murder, Oppenheimer responds that could never have been his goal, therefore that side of them may have been betrayed.[18][19][20][21] In an interview with The Village Voice, Oppenheimer said, "When I was entrusted by this community of survivors to film these justifications, to film these boastings, I was trying to expose and interrogate the nature of impunity. Boasting about killing was the right material to do that with because it is a symptom of impunity."[22]

Australian National University Professor of Asian history and politics Robert Cribb stated that the film lacks historical context.[23] In reply, Oppenheimer said that "the film is essentially not about what happened in 1965, but rather about a regime in which genocide has, paradoxically, been effaced [yet] celebrated – in order to keep the survivors terrified, the public brainwashed, and the perpetrators able to live with themselves...It never pretends to be an exhaustive account of the events of 1965. It seeks to understand the impact of the killing and terror today, on individuals and institutions."[24]

Bradley Simpson, historian at the University of Connecticut and director of the Indonesia/East Timor Documentation Project at the National Security Archive, states the "brilliant Oscar-nominated film" has prompted vigorous debate among Indonesians about the crimes and the need to hold responsible parties accountable, and suggests that it could have a similar effect in the United States, whose own role in the killings "has never officially been acknowledged, much less accounted for, though some of the relevant documents have been made available to the public."[25]

An Indonesian academic, Soe Tjen Marching, analyzed the film in relation to Hannah Arendt's theory of the banality of evil.[26]

The primary subjects in the film, Anwar Congo and Herman Koto, have seen the film and neither feels deceived, according to Oppenheimer. Oppenheimer says that upon watching the film Anwar Congo "started to cry...Tearfully, he told me: 'This is the film I expected. It's an honest film, a true film.' He said he was profoundly moved and will always remain loyal to it."[27] A subsequent interview on Al Jazeera's program 101 East revealed that Anwar had misgivings about the film and the negative reaction to it in Indonesia, which was causing problems for him. He confided these concerns directly to Oppenheimer in an apparent Skype conversation displayed within the program.[28]

In 2015, the film was named as one of the top 50 films of the decade so far by The Guardian.[29]

Top ten lists

The Act of Killing has been named as one of the best films of 2013 by various critics:[30]

Awards and nominations

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Main article: List of accolades received by The Act of Killing

References

  1. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  2. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  4. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  5. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  6. ↑ Beaumont-Thomas, Ben (16 February 2014). Baftas 2014: The Act of Killing wins best documentary. The Guardian. Retrieved 16 February 2014.
  7. ↑ Macaulay, Scott (17 February 2014). The Act of Killing Wins Documentary BAFTA; Director Oppenheimer’s Speech Edited Online. Filmmaker. Retrieved 17 February 2014.
  8. ↑ Sabarini, Prodita (16 February 2014). Director calls for US to acknowledge its role in 1965 killings. The Jakarta Post. Retrieved 17 February 2014.
  9. ↑ Josua Gantan (23 January 2014). Indonesia Reacts to ‘Act of Killing’ Academy Nomination, The Jakarta Globe. Retrieved 27 May 2014
  10. ↑ Ignatiy Vishnevetsky (27 August 2014). Act Of Killing sequel The Look Of Silence will hit theaters in 2015. A.V. Club. Retrieved 31 August 2014.
  11. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  12. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  13. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  14. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  15. ↑ Schager, Nick (17 July 2003). "The Act of Killing Is a Masterpiece of Murder and the Movies". The Village Voice.
  16. ↑ Chris Hedges (23 September 2013). The Act of Killing. Truthdig. Retrieved 23 September 2013.
  17. ↑ The Act of Killing DFI Film. Retrieved 1 March 2014.
  18. ↑ Actors may sue director of lauded film on PKI killings | The Jakarta Post
  19. ↑ FEATURE: An overnight celebrity from 'The Act of Killing' – Yahoo News Malaysia
  20. ↑ 1965 victims protest against ‘The Act Of Killing’ | The Jakarta Post
  21. ↑ DFI-FILM | The Act of Killing
  22. ↑ Joshua Oppenheimer on The Act of Killing – Page 1 – Movies – New York – Village Voice
  23. ↑ Cribb, Robert (April–June 2013). "Review: An act of manipulation?". Inside Indonesia.
  24. ↑ Melvin, Jess (April–June 2013). "An interview with Joshua Oppenheimer". Inside Indonesia.
  25. ↑ Brad Simpson (28 February 2014). It’s Our Act of Killing, Too. The Nation. Retrieved 9 May 2014.
  26. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  27. ↑ APPLEBAUM, STEPHEN (13 April 2013) Indonesia's killing fields revisited in Joshua Oppenheimer's documentary. The Australian
  28. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  29. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  30. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  31. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  32. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  33. ↑ 33.0 33.1 Lua error in package.lua at line 80: module 'strict' not found.

External links

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