The Seasons (ballet)

This article is about the Petipa-Glazunov ballet. For Jerome Robbins' ballet, see The Four Seasons (ballet). For the Cunningham-Cage ballet, see The Seasons (Cage). For other uses, see The Seasons (disambiguation).

Ballets and revivals of Marius Petipa

150px *Paquita (1847, *1881) *Le Corsaire (1858, 1863, 1868, 1885, 1899) The Pharaoh's Daughter (1862, *1885, *1898) Le Roi Candaule (1868, *1891, *1903) Don Quixote (1869, *1871) La Bayadère (1877, *1900) *Giselle (1884, 1899, 1903) *Coppélia (1884) *La fille mal gardée (1885) *La Esmeralda (1886, 1899) The Talisman (1889) The Sleeping Beauty (1890) The Nutcracker (1892) Cinderella (1893) Le Réveil de Flore (1894) *Swan Lake (1895) *The Little Humpbacked Horse (1895) Raymonda (1898) The Seasons (1900) Harlequinade (1900) * revival

The Seasons (Russian: Времена года, Vremena goda; also French: Les saisons) is an allegorical ballet in one act, four scenes, by the choreographer Marius Petipa, with music by Alexander Glazunov, his Op. 67. The work was composed in 1899, and was first performed by the Imperial Ballet in 1900 in St. Petersburg, Russia.

History

Composition history

The score for Marius Petipa's Les Saisons (The Seasons) was originally intended to have been composed by the Italian composer and conductor Riccardo Drigo, who was Glazunov's colleague and close friend. Since 1886, Drigo held the posts of director of music and Chef d’orchestre to the Ballet of the St. Petersburg Imperial Theatres, while also serving as conductor for performances of the Italian operas in the repertory of the Imperial Opera. Petipa's Les Millions d’Arlequin (a.k.a. Harlequinade) was also in its preliminary stages at the same time as Les Saisons, and was originally intended to have had a score supplied by Glazunov. Since Drigo and Glazunov had an affinity towards each other's assigned ballet, the two composers agreed that Glazunov would compose Les Saisons and that Drigo would compose Les Millions d’Arlequin.

Petipa's Les Millions d'Arlequin was presented for the first time at the Imperial Theatre of the Hermitage on 23 February [O.S. 10 February] 1900. Les Saisons premiered three days later. For both performances the whole of the Imperial court was in attendance.

In 1907, Nikolai Legat staged a revival of Les Saisons at the Imperial Mariinsky Theatre. This production was performed on occasion by the Imperial Ballet after the Russian Revolution, being performed for the last time in 1927.

Les Saisons lived on in an abriged edition in the repertory of Anna Pavlova's touring company.

Alexander Glazunov (1896)

Performance history

St. Petersburg premiere (World Premiere)

• Date: 20 February [O.S. 7 February] 1900
• Place: Imperial Theatre of the Hermitage, Winter Palace, St. Petersburg
• Balletmaster: Marius Petipa
• Conductor: Riccardo Drigo
• Scene Designer: Pyotr Lambin
• Costume Designer: Yevgeni Ponomaryov

Other notable productions

• 1900, February 13, St. Petersburg, Imperial Mariinsky Theatre, same ensemble as the premiere
• 1907, St. Petersburg, Mariinsky Theatre, balletmaster Nikolay Legat, conducted by Drigo, décor by Lambin, costumes by Aleksandr Golovin.

Roles and original cast

Role	St. Petersburg 1900	St. Petersburg 1907
Winter	Aleksey Bulgakov	Nikolay Solyannikov
Frost	Anna Pavlova	Agrippina Vaganova
Ice	Yuliya Sedova	E. Vill
Hail	Vera Trefilova	Lidiya Kyaksht
Snow	L. Petipa	Y. Ofitserova
Zephyr	Nikolay Legat	Mikhail Obukhov
Rose	Olga Preobrazhenskaya	Vera Trefilova
Swallow	Varvara Rïkhlyakova	Varvara Rïkhlyakova
Spirit of the Corn	Matilda Kshesinskaya	Olga Preobrazhenskaya
Faun	Mikhail Obukhov	Georgiy Kyaksht
Satyr	Aleksandr Gorsky	Leonid Leontyev
Satyr	Aleksandr Shiryayev	A. Matyatin
Bacchus	Pavel Gerdt	Samuil Andrianov
Bacchante	Marie Petipa	Anna Pavlova

Publication history

• 1901, M.P. Belyayev, Leipzig

Instrumentation

Woodwinds: 1 piccolo, 2 flutes, 2 oboes (2nd doubling english horn in F), 2 clarinets in B-flat and A, 2 bassoons

Brass: 4 french horns in F, 2 trumpets in B-flat, 3 trombones, tuba

Percussion: timpani, triangle, tambourine, military drum, cymbal, bass drum, glockenspiel

Keyboard: celesta, pianino (upright piano)

Strings: harp, 1st and 2nd violins, violas, cellos, contrabass

Synopsis

File:Seasons -Bacchanal -Pavel Gerdt & Marie Petipa -1900.JPG

Marie Petipa and Pavel Gerdt in the Bacchanale of the scene L'Automne. (St. Petersburg, 1900)

Tableau 1 — A winter landscape

Winter is surrounded by his companions: Hoar-frost, Ice, Hail and Snow, who amuse themselves with a band of snowflakes. Two gnomes enter, and soon light a fire that causes all assembled to vanish.

Tableau 2 — A landscape covered with flowers

Spring dances with Zephyr, flower fairies, and enchanted birds. Upon feeling the heat of the sun, the assembly takes flight.

Tableau 3 — A landscape of flowing fields of wheat

Cornflowers and poppies revel in the light and warmth of the sun. They take rest after their exertion. Now Naiads appear, who bring water to refresh the growth, and the Spirit of Corn dances in thanksgiving. Satyrs and Fauns enter playing their pipes, and attempt to carry off the Spirit of the Corn, but she is rescued by the wind of Zephyr.

Tableau 4 — A landscape in Autumn

The Seasons take part in a glorious dance (the well-known "autumn bacchanale") while leaves from autumn trees rain upon their merriment.

Apotheosis — The Sable sky

Constellations of stars sparkle above the earth.

Résumé of dances and the mise-en-scène

Anna Pavlova in the Bacchante.
St. Petersburg, 1907.

List of the numbers comprising The Seasons taken from the Yearbook of the Imperial Theatres, 1899-1900, being the original titles of the dances and mise en scène as originally staged.

• №01 Prélude

Tableau I — L’Hiver (winter)

• №02 Scène de l’Hiver
• №03 Variation du givre (frost)
• №04 Variation de la glace (ice)
• №05 Variation de la grêle (hail)
• №06 Variation de la neige (snow)
• №07 Coda

Tableau II — Le Printemps (spring)

• №08 Entrée de Printemps, Zéphyre, les Fées des fleurs, les oiseaux et les fleurs

Tableau III — L’Été (summer)

• №09 Scène de l’Été
• №10 Valse des bleuets et des pavots (Waltz of the Cornflowers and Poppies)
• №11 La Barcarolle – Entrée des naïades, le satyres et des faunes
• №12 Variation de l’Esprit du maïs
• №13 Coda

Tableau IV — L’Automne (fall)

• №14 Grande bacchanale des saisons—

a. Entrée des saisons

b. L’Hiver

c. Le Printemps

d. Bacchanale

e. L’Été

• №15 Petit adage
• №16 Variation du Satyre
• №17 Coda générale

Apotheosis

• №18 Apothéose: La Révélation des étoiles

Discography

• 1929, Aleksandr Glazunov, unknown orchestra
• 1953, Roger Désormière, Orchestre National de France
• 1956, Albert Wolff, Paris Conservatoire Orchestra
• 1966, Ernest Ansermet, Suisse Romande Orchestra
• 196?, Konstantin Ivanov, USSR Symphony Orchestra
• 196?, Robert Irving, Concert Arts Orchestra
• 1978, Yevgeny Svetlanov, Philharmonia Orchestra
• 1987, Neeme Järvi, Scottish National Orchestra
• 1990, Vladimir Ashkenazy, Royal Philharmonic Orchestra
• 1993, Edo de Waart, Minnesota Orchestra
• 1987, Ondrej Lenard, Czecho-Slovak Radio Symphony Orchestra

Uses in popular culture

• Part of the Adagio from Autumn was chosen by Guy Mauffette as the musical theme for the long-running Radio-Canada soap opera Un homme et son péché (1939–1962) and its later adaptation for television, Les Belles Histoires des pays d'en haut (1956–1970).
• The Autumn Bacchanale is used as the introductory music to BBC TV's annual Richard Dimbleby Lectures (1972–).
• Excerpts from the ballet were heard on a recording featuring Don Wilson narrating the story of Ceres and Proserpina (here called Prosperine), with the music, played by the Continental Symphony Orchestra, serving as accompaniment. This recording was part of an LP issued by Capitol Records entitled Classics for Children.

External links

• YouTube clip of the Autumn variation