Wagnerian rock |
Stylistic origins |
Blues, rock and roll, opera, Richard Wagner, Wall of Sound, electric blues, jazz, folk, country, rhythm and blues, soul |
Cultural origins |
1970s United States |
Typical instruments |
Vocals, electric guitar, bass guitar, acoustic guitar, drums, piano, synthesizer, keyboards |
Derivative forms |
New-age music, synthpop |
Subgenres |
Alternative rock – Art rock – Baroque pop – Beat music – Britpop – Emo – Experimental rock – Garage rock – Glam rock – Gothic rock – Group Sounds – Grunge – Hard rock – Heartland rock – Heavy metal – Instrumental rock – Indie rock – Jangle pop – Krautrock – Madchester – Post-Britpop – Post-grunge – Power pop – Progressive rock – Protopunk – Psychedelia – Punk rock – Soft rock – Southern rock – Surf music – Symphonic rock |
Fusion genres |
Blues rock – Country rock – Electronic rock – Flamenco rock – Folk rock – Funk rock – Glam punk – Indo-rock – Industrial rock – Latin rock – Jazz fusion – Pop rock – Pop punk – Punta rock – Raga rock – Raï rock – Rap rock – Rockabilly – Rockoson – Samba-rock – Space rock – Stoner rock – Sufi rock |
Regional scenes |
United Kingdom – United States |
Other topics |
Pop music – Backbeat – Rock opera – Rock band – Hall of Fame – Social impact – List of rock music terms |
2024 in wagnerian rock |
Wagnerian rock is a musical term originally coined by writer and producer Jim Steinman (to describe Meat Loaf's Bat Out of Hell trilogy of albums) referring to the merger of twentieth century rock and roll and nineteenth-century opera reminiscent of Richard Wagner and of Spector's Wall of Sound.[1][2] The term is sometimes used ambiguously in rock writing, referring to a bombastic Teutonic style, or fantasy lyrics. Artists and works described as Wagnerian include Patti Russo, Bonnie Tyler's Faster Than the Speed of Night, progressive metal band Savatage, Pandora's Box's Original Sin, and producer and songwriter Phil Spector,[3] progressive rock bands Pink Floyd and King Crimson;[4] and German industrial metal band Rammstein.[5]
See also
References
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