Sarah Kenderdine

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Lua error in package.lua at line 80: module 'strict' not found. Sarah Kenderdine is a professor at UNSW Art & Design and Director of Visualisation for UNSW’s transdisciplinary initiative Expanded Perception and Interaction Centre.[1][2] Kenderdine researches at interactive and immersive experiences for museums and galleries.[3] In widely exhibited installation works, she has amalgamated cultural heritage with new media art practice, especially in the realms of interactive cinema, augmented reality and embodied narrative.[4]

Career

Kenderdine concurrently holds the position of Professor at UNSW Art & Design and Director of Visualisation for UNSW’s cross-faculty Medical Innovation through Visualisation project and Expanded Perception and Interaction Centre (EPICentre).[1] Kenderdine is Deputy Director of the National Institute for Experimental Arts (NIEA) and Director of the Lab for Innovation in Galleries, Libraries, Archives and Museums (iGLAM) and an Associate Director, iCinema Research Centre. She is also head of Special Projects for Museum Victoria, Australia (2003—)[5] and is Director of Research at the Applied Laboratory for Interactive Visualization and Embodiment at the City University of Hong Kong.

Kenderdine has conceived and created interactive installations on UNESCO world heritage sites including Angkor Wat;[6] The Monuments at Hampi, India; Olympia, Greece; and at numerous sites throughout Turkey.[7][better source needed] Between 2012-2015 she directed Pure Land: Inside the Mogao Grottoes at Dunhuang, Pure Land Augmented Reality Edition, Pure Land Henqin and Pure Land UnWired, in collaboration with the Dunhaung Academy.[8][9] Commissioned in 2012 for Europeana, ECloud WW1 turned linear browsing of World War I web information into a large scale dynamic exhibition using semantic relationships.[citation needed]

She conceived and curated Kaladham | PLACE-Hampi as a permanent museum located at Vijayanagar, Karnataka, inaugurated in November 2012,[10][11][12][13] and co-directed two new installations based on the ‘Pacifying of the South China Sea Pirates’ scroll which was displayed at Maritime Museum, Hong Kong in 2013. In 2014, she completed Museum Victoria’s data browser for 100,000 objects, in a 360-degree 3D interactive installation in the galleries.

Kenderdine has been a member of professional editorial and advisory boards for the Sage Journal, Big Data & Society;[14] Elsevier's Journal of Cultural Heritage; and the International Conference on Information Visualisation.

Kenderdine was creative director of special projects at the Powerhouse Museum, Sydney from 1998 until 2003. She is a maritime archaeologist, a curator at the Western Australian Maritime Museum from 1994 to 1997, and has written a number of authoritative books on shipwrecks. In 1994 and 1995, she designed and built one of the world’s earliest museum websites for the Maritime Museum, and subsequently award-winning[citation needed] cultural networks/websites for Australian Museums Online, the Association of Southeast Asian Nations, and Intel’s Olympic Games Olympia projects during the 2000 Summer Olympics. Kenderdine has produced more than 70 exhibitions and installations for museums worldwide, and has 35 peer reviewed publications including two books.[citation needed] In 2016 she will write a new coauthored monograph (with Dr Fiona Cameron), Compositions, materialities, dynamics, embodiments: Theorizing digital cultural heritage for a complex, turbulent and entangled world.

Awards

  • Rankin Scholar-in-Residence 2015. Drexel University, Philadelphia, USA.
  • Council for Humanities, Arts and Social Sciences (CHASS) Prize for Distinctive Work 2014: the Pure Land projects.
  • International Council of Museum Award (Australia) 2013: Kaladham. Hampi, Karnataka, India.
  • Australian Arts in Asia Awards Innovation Award 2013: Kaladham. Hampi, Karnataka, India.
  • Tartessos Prize 2013 for contributions to virtual archaeology worldwide. Digital Heritage.
  • International Congress & IMéRA Foundation Fellowship 2013. Aix-Marseille University, France.

References

  1. ↑ 1.0 1.1 Lua error in package.lua at line 80: module 'strict' not found.
  2. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  4. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  5. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  6. ↑ Kenderdine, S. 2004. “Stereographic Panoramas of Angkor, Cambodia.” In VSMM2004: Proceedings of the Tenth International Conference on Virtual Systems and Multimedia, edited by H. Thwaites, 612-621. ISO Press.
  7. ↑ Kalay, Y., T. Kvan and J. Affleck, eds. 2007. New Heritage: New Media and Cultural Heritage. Abingdon: Routledge.
  8. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  9. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  10. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  11. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  12. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  13. ↑ Place-Hampi: Inhabiting the panoramic imaginary of Vijayanagara (2013), Heidelberg: Kehrer Verlag
  14. ↑ Lua error in package.lua at line 80: module 'strict' not found.
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