Queen Charlotte: A Bridgerton Story

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Queen Charlotte: A Bridgerton Story
File:Queen Charlotte- A Bridgerton Story.png
Promotional poster
Genre Historical drama
Created by Shonda Rhimes
Directed by Tom Verica
Starring <templatestyles src="Plainlist/styles.css"/>
Composer(s) Kris Bowers
Country of origin United States
No. of episodes 6
Production
Executive producer(s) <templatestyles src="Plainlist/styles.css"/>
Producer(s) Anna O'Malley
Cinematography Jeffrey Jur
Production company(s) Shondaland
Release
Original network Netflix
Original release May 4, 2023 (2023-05-04)
Chronology
Related shows Bridgerton
External links
[{{#property:P856}} Website]

Queen Charlotte: A Bridgerton Story is a historical drama limited series created by Shonda Rhimes for Netflix.[1] The series is a prequel spin-off of the Netflix series Bridgerton. The story focuses on the rise of Charlotte of Mecklenburg-Strelitz to prominence and power in the late 18th century. The series premiered on May 4, 2023, and consists of 6 episodes that are roughly an hour in runtime.[2]

In the first week after its premiere, it debuted at number one in 91 countries, including the United States, the United Kingdom, Australia, India, South Africa and Canada, and atop the Netflix Global Weekly Top 10 of the ten most-watched English-language TV series on the platform in seven days on May 7, 2023.[3]

Premise

The spin-off miniseries revolving around Queen Charlotte consists of two plot lines: one in the present of Bridgerton, beginning in 1817 with the death of the royal heir Princess Charlotte, an event that causes the Queen to pressure her children to marry and produce another royal heir; the other begins in 1761 with Charlotte meeting and marrying King George. The latter explores the King and Queen's marriage and his mental illness.

Cast and characters

Main

Recurring

Guests

Episodes

No. Title Directed by Written by Original release date
1 "Queen to Be" Tom Verica Shonda Rhimes May 4, 2023 (2023-05-04)
In 1761 Charlotte's brother, Adolphus, signs a contract marrying her to George III. Charlotte is unhappy with the idea of the marriage. Upon seeing her and realizing she's black, the King's mother, Princess Augusta, invites several prominent people of colour to the wedding and grants them titles on her son's behalf, effectively desegregating society. Before the wedding can go through Charlotte attempts to run away but is caught by a charming man who turns out to be her future husband. She decides to go through with the marriage but is surprised when, on the night of the wedding, he presents her with her own house but informs her of his intention to live a completely separate life in Kew. In 1817, Queen Charlotte learns her only legitimate granddaughter Princess Charlotte of Wales has died in childbirth kicking off a succession crisis. She urges her surviving 12 children to produce legitimate heirs.
2 "Honeymoon Bliss" Tom Verica Shonda Rhimes May 4, 2023 (2023-05-04)
In 1761 Charlotte spends most of her honeymoon alone. She learns that she has no activities planned as she is supposed to be with George. Despite this, she invites the newly minted Lady Danbury to tea where Lady Danbury, learning of Charlotte's ignorance, explains sex to her. Princess Augusta, desperate to know if her son has consummated his marriage tries to pressure Lady Danbury into telling her, however Lady Danbury, who is still suffering from segregated society despite her husband's title, uses her leverage to pressure Princess Augusta into further supporting her and her husband. George reveals to Charlotte that he left her on their marriage night as he was charting the Transit of Venus. He asks Charlotte for a redo of their marriage night and the two finally consummate their marriage. However the following morning she overhears a conversation between George and his mother in which he reveals he is hiding his true self from her.
3 "Even Days" Tom Verica Shonda Rhimes May 4, 2023 (2023-05-04)
Still feuding, Charlotte and George nevertheless have a passionate sex life agreeing to see each other on even days so that Charlotte may get pregnant. After seeing that George also has a passion for agriculture, Charlotte decides to accept her husband for who he is and reconciles with him deciding to be a team. Lady Danbury's husband decides he wants to host the first ball of the season. Despite not having Princess Augusta's full support, Lady Danbury issues invitations and is rejected by the white members of the ton. She asks for Queen Charlotte's support, pointing out that the newly made members of the ton are in a precarious position. Charlotte and George go to the Danbury's ball which is a success; afterward, Lord Danbury dies during sexual intercourse with his wife. Charlotte awakens on the night of the ball to discover George running outside and stripping naked to praise Venus. Charlotte convinces him she is Venus and guides him back home.
4 "Holding the King" Tom Verica Nicholas Nardini May 4, 2023 (2023-05-04)
Flashbacks reveal that Princess Augusta arranged George's marriage behind his back as he was frightened of the prospect of marriage due to his uncontrollable fits and mental breakdowns. Doctor Monro suggests there is nothing wrong with him and his breakdowns are due to a lack of discipline. Quickly falling in love with Charlotte, George removes himself from her presence to follow a grueling program set up by Monro to break him. Feeling better and missing Charlotte, George decides to move back in with her. He dismisses Monro only to discover that Charlotte has decided to keep him as her physician as she is pregnant. Her pregnancy triggers a mental crisis in George leading to his late night visions of Venus in the garden.
5 "Gardens in Bloom" Tom Verica Story by: Shonda Rhimes
Teleplay by: Shonda Rhimes and Nicholas Nardini		 May 4, 2023 (2023-05-04)
Princess Augusta learns that Charlotte is pregnant and announces plans to move into Buckingham House. Charlotte, frustrated at her lack of headway with George, writes to her brother Adolphus, and asks to be taken home when he visits. The other nonwhite members of the ton ask Agatha to figure out her matters of succession; though she brings her young son to Princess Augusta, she does not get a clear answer on whether or not he will inherit his father's peerage. Charlotte visits Agatha and is encouraged to assert herself, eventually confronting Monro and retrieving George herself. Agatha begins taking daily walks with Lord Ledger, and the two sleep together. In the 1810s, Charlotte betroths two of her sons to eligible princesses. Violet admits her newfound sexual frustration to Agatha.
6 "Crown Jewels" Tom Verica Shonda Rhimes May 4, 2023 (2023-05-04)
A reunited Charlotte and George affirm their mutual love, and Charlotte gives birth to a baby boy. Despite his high spirits, George is unable to appear before Parliament, leading to rumours that he is unfit to rule. Meanwhile, Agatha is subtly rebuffed by Lord Ledger, and Princess Augusta is unyielding on the matter of succession. Charlotte and George successfully host a ball with the dual purpose of celebrating their son's birth and presenting George as a capable ruler. Adolphus proposes to Agatha, but unwilling to be trapped in another marriage, she rejects him. An accepting Charlotte tells Agatha that she will assist her with keeping the title. In the 1810s, Agatha subtly confirms Violet's suspicions that she had a liaison with Violet's father, and the two continue their friendship. Charlotte visits George to tell him that Princess Victoria is pregnant. The two lie together as they did in their youth.

Production

Development

The series was announced in May 2021, with Shonda Rhimes set as showrunner and writer. Rhimes also serves as executive producer with Betsy Beers and director Tom Verica.[4] Anna O'Malley serves as producer.[5] The series consists of 6 episodes.[6] In April 2022, production designer Dave Arrowsmith was fired due to bullying allegations on set.[7] In an interview for Netflix Tudum, the executive producer and screenwriter Verica talked about the creative process behind the series and why it was chosen to be based on the Charlotte Queen figure:[8][9]<templatestyles src="Template:Blockquote/styles.css" />

We’re very clear about this world and that this is not a history lesson. This is fiction inspired by fact. It’s very important to me that people understand that, because I’m telling the story of Queen Charlotte of Bridgerton, not of Queen Charlotte of England. [...] Many historians believe that Queen Charlotte was of mixed cultural heritage. We wanted to take that in a different direction than what the history books have said happened which was basically to bury that and not deal with it. We wanted to shine a light on that element. We asked, "What if society embraced those differences in diversity and elevated people of color to prominent positions and ranks?"; "The Great Experiment" [which didn’t happen in real-life England] allows us to reimagine what that world could have looked like if that part of Charlotte’s identity had been embraced.

— Tom Verica on Queen Charlotte

Casting

On March 30, 2022, Golda Rosheuvel, Adjoa Andoh, Ruth Gemmell, and Hugh Sachs were announced to be reprising their roles from Bridgerton. India Amarteifio, Michelle Fairley, Corey Mylchreest, Arsema Thomas, Sam Clemmett, Richard Cunningham, Tunji Kasim, Rob Maloney, and Cyril Nri were also cast.[6][10] In June 2022, Katie Brayben and Keir Charles were cast in recurring roles.[11] One month later, Connie Jenkins-Grieg joined the cast as a young Violet Bridgerton.[12]

Filming

The series was previously set to begin filming in January 2022. Production began on February 6, 2022, under the working title Jewels, and was set to wrap in May 2022.[13] Director Tom Verica confirmed filming had started by March 28, 2022.[14][13] The series wrapped on August 30, 2022.[13] The filming locations included Blenheim Palace, Belton House, Merton College, Hatfield House and Waddesdon Manor[15] as well as Hampton Court Palace.[16]

Music

<templatestyles src="Module:Hatnote/styles.css"></templatestyles>

Main article: Queen Charlotte: A Bridgerton Story (soundtrack)

Kris Bowers, who scored both the first and second seasons of Bridgerton, also worked on two original soundtrack projects for the series through Sony Music.[17] The first one, Queen Charlotte: A Bridgerton Story (Soundtrack from the Netflix Series), was supervised by Bowers, with co-production by Max Wrightson and co-writing of some tracks by Alec Sievern and Michael Dean Parsons.[18] The second project, Queen Charlotte: A Bridgerton Story (Covers from the Netflix Series), provided for the reinterpretation in a classical music key of pop songs from Beyoncé, Alicia Keys, SZA, Dolly Parton and Whitney Houston discography.[19] Keys song "If I Ain't Got You" was recorded with Queen Charlotte's Global Orchestra,a 70-piece orchestra of women of colour and Keys herself served has been used as a soundtrack song.[20]

Release

Queen Charlotte: A Bridgerton Story was released on Netflix on May 4, 2023, consisting of 6 episodes.[21]

Reception

In the first week after its premiere, Queen Charlotte: A Bridgerton Story debuted at number one in 91 countries, including the United States, the United Kingdom, Australia, India, South Africa and Canada, and the Netflix Global Weekly Top 10[22] ranking of the ten most-watched English-language TV series on the platform in seven days with a further 148.28 million viewing hours.[23] It peaked in week two with 158.68 million hours of viewing,[24] maintaining the top spot in the Global Weekly Top 10 in week three as well.[25]

Critics reviews

On the review aggregator website Rotten Tomatoes, 94% of 68 reviews are positive, with an average rating of 7.8/10. The website's critical consensus reads, "A resplendent romance between two of the most interesting characters in the Bridgerton saga, Queen Charlotte is a spin-off that arguably perfects the primary series' formula."[26] Metacritic, which uses a weighted average, has assigned a score of 76 out of 100 based on 29 critics, indicating "generally favorable reviews".[27]

Time ranked the series on The 5 Best New TV Shows of May 2023.[28] Judy Berman of the same magazine wrote that the plot "It’s a neat explanation and one that works well thematically, if not historically" found out that "Rhimes’ reimagined 18th century England has much in common with the contemporary U.S. It's a multicultural society, but one that is in the midst of a painful transformation".[29]

Lucy Mangan of The Guardian gave 4 out of 5 stars, defining the series as a "gorgeous six-episode romp from Shondaland" and "a rare exception to the rule of prequels and will hopefully set many of its younger stars on the road to success" especially appreciating the acting of Amarteifio.[30] Nicole Vassell of The Independent pointed out that "Queen Charlotte delivers everything a Bridgerton fan could want . . . with touches of social commentary that feel refreshing, rather than preachy".[31]

The Hollywood Reporter's writer Angie Han found the story a "delectable romantic treat", writing that "Queen Charlotte is the tension between the cotton-candy fantasy that’s made Bridgerton so beloved with the thornier ground already laid out for the central couple by the core series" in which "the challenge ultimately yields a spinoff that’s richer and more complex than the flagship series".[32] Lorraine Ali of Los Angeles Times wrote that "lighthearted romance and romps in the gilded bed still play starring roles, and the prequel offers plenty of splendid scenery", appointing that "there is finally a gay love affair in the “Bridgerton” franchise, perhaps in response to criticisms that the series lacked a same-sex relationship, but the subplot does not feel engineered or obligatory. It naturally dovetails with all the other affairs of the heart".[33]

Alison Herman of Variety wrote that Queen Charlotte "offers an ideal metaphor for what the best spinoffs can do; [...] In its brevity, Queen Charlotte can strip down the broad ensemble of “Bridgerton” into a more focused story".[34] Inkoo Kang, writer of The New Yorker, appointed that "this counter-history is hardly convincing as a remedy to ingrained prejudice. [...] But this is also an alternate universe where eighteenth-century musicians play twenty-first-century pop hits and the reigning English monarch is toe-curlingly handsome, so let us feel free to exercise some suspension of disbelief".[35]

Historian S. I. Martin, who specializes in Black British history, described the series as "an absurd take on Black history" and accused it of "inviting, or fomenting, the forgetting or overlooking" of the "time when Britain was the largest trader in human lives on the planet". Gretchen Gerzina, author of Britain's Black Past, fears that the series' race twisting "gives people a pass to say, 'Oh, it was all right. They didn’t suffer and they were wealthy.'"[36]

References

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  32. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  33. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  34. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  35. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  36. ↑ Lua error in package.lua at line 80: module 'strict' not found.

External links

Template:Bridgerton

Template:Charlotte of Mecklenburg-Strelitz Template:George III

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